Practice Studio

Queen - Innuendo (Flamenco Part) - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Progressive Rock A minor
Capo Advisor 0 A minor · Original key

About Innuendo (Flamenco Part)


The flamenco passage at the heart of "Innuendo" is one of the most surprising guitar moments in Queen's catalogue, dropping into a nylon-string classical style right in the middle of an otherwise heavy Progressive Rock epic. Sitting in A minor at 120 BPM in E Standard tuning, the section demands fingerstyle technique rather than the pick work you might rely on elsewhere in the song. The right hand needs clean, controlled arpeggios and rasgueado-style strumming, while the left hand must hold barre chord shapes firmly enough to let each note ring without buzzing. Getting those two hands coordinated at tempo is the real challenge. Start well below 120 BPM with the Practice Toolbar so your fretting hand can lock in clean chord transitions before your picking hand tries to add any flamenco flair. Once both hands feel independent and solid, use looping it slowed down on just the busiest four-bar phrases to bring the tempo up gradually.

  • The section calls for fingerstyle classical technique in E Standard tuning, with rasgueado-influenced strumming and clean arpeggio work in A minor.
  • Coordinating barre chord transitions in the left hand with flamenco-style right-hand patterns is the main technical hurdle for most guitarists.
  • Practising at a reduced tempo and looping the densest phrases is key, since the strumming patterns lose clarity quickly if the fretting hand falls behind.

How to Play Innuendo (Flamenco Part)

Tuning: E Standard · Key: A minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)