Pantera - Cemetery Gates - Guitar Tab

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Pantera - Cemetery Gates - Guitar Tab

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Classic Rock

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Cowboys from Hell album cover
Cowboys from Hell
1990 7:03
Capo Advisor 0 E minor · Original key

Cemetery Gates


"Cemetery Gates" is a power ballad by Pantera, featured as the fifth track on their 1990 album Cowboys from Hell. As the longest song in Pantera's discography, it balances clean, melodic guitar passages with heavy riffing, making it a compelling study in dynamic contrast. The track's climax features a famous vocal-guitar trade-off where Dimebag Darrell answers Phil Anselmo's screaming high notes, offering electric guitarists a masterclass in expressive lead playing.

  • The song is the longest in Pantera's entire discography, giving guitarists an extended arrangement to study and absorb.
  • Dimebag Darrell's closing guitar lines directly mirror Anselmo's screamed vocals, a rare and challenging call-and-response technique.
  • Cowboys from Hell, released in 1990, was Pantera's second album with Phil Anselmo and marked a major shift in their sound.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Dimebag used the Les Paul in the studio for thicker, warmer rhythm tones that contrasted with his signature Dean ML's aggression. Its fuller low-end body resonance complemented Pantera's groove-metal foundation without sacrificing the clarity his Randall amp demanded.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not his primary choice, the Les Paul Custom's increased weight and tonal thickness gave Dimebag an alternative for studio layers needing more body. Its humbuckers provided a warmer saturation against his Dean's tight, articulate bite.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Dimebag's expressive wah work, especially on 'Floods,' became iconic through the Cry Baby's responsive sweep and vocal character. The pedal's interaction with his scooped Randall tone created that signature mid-scoop wah sound defining Pantera's lead vocabulary.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy pedal delivered Dimebag's dramatic pitch-shifting solos heard throughout Pantera's catalog, adding otherworldly texture to his already aggressive tone. Its polyphonic tracking kept clarity even with the high-gain saturation from his solid-state Randall amplifier.