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Ozzy Osbourne - No More Tears Zakk Wylde - Guitar Tab

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Ozzy Osbourne - No More Tears Zakk Wylde - Guitar Tab

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Ozzy Osbourne - No More Tears Zakk Wylde guitar tab video
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Ozzy Osbourne Heavy Metal E minor
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No More Tears Zakk Wylde

"No More Tears" is a track by Ozzy Osbourne featuring guitarist Zakk Wylde, taken from the 1991 album of the same name, which reached number seven on the US Billboard 200 and has been certified quadruple platinum in North America. The album is considered one of Osbourne's two best-selling solo records alongside Blizzard of Ozz. For electric guitarists, the track is a compelling study in Zakk Wylde's signature heavy riffing, blues-influenced phrasing, and aggressive tone that defined early 1990s hard rock and metal.

  • Zakk Wylde's guitar work on this album helped establish his reputation as one of hard rock's most distinctive heavy riff writers.
  • The No More Tears album won a Grammy for the track 'I Don't Want to Change the World,' highlighting the record's critical recognition.
  • Released on 17 September 1991, the album charted at number 17 on the UK Albums Chart and number seven on the US Billboard 200.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's Les Paul Standard on 'Ordinary Man' delivers Ozzy's signature thick, warm sustain through its mahogany body and set neck. The guitar's natural resonance cuts through a cranked Marshall while maintaining the heavy, blues-rooted tone that defines modern Ozzy records.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Randy Rhoads and Zakk Wylde both relied on the Les Paul Custom's thick mahogany construction and PAF-style humbuckers for sustained, focused leads that pierce through Marshall saturation. The Custom's weight and warmth became sonic anchors for Ozzy's most iconic guitar tones across decades.

Marshall JCM800
Amp

Marshall JCM800

Zakk Wylde dimed the JCM800 2203 for maximum crunch and tight low-end response, making it the backbone of modern Ozzy heaviness. The amp's aggressive gain structure and natural breakup at volume deliver the roaring, sustained tone perfect for pinch harmonics and heavy riffing.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Randy Rhoads' modified 1959 Super Lead Plexi delivered natural tube saturation with a tight, focused midrange that allowed his fast runs and solos to cut through with clarity. The Plexi's simple, responsive design meant tone came directly from his fingers and Les Paul into the amp.

EMG 81
Pickup

EMG 81

Zakk Wylde's bridge position EMG 81 provides high output and compressed sustain essential for heavy riffing and pinch harmonics that define modern Ozzy songs. The active humbucker's tight low-end response couples perfectly with a dimed Marshall JCM800 for maximum aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Randy Rhoads and Zakk Wylde both used the Cry Baby wah to add expressive texture to leads without cluttering their core Marshall-driven tone. The wah's responsive sweep enhanced their solos while remaining secondary to the raw tube amp saturation that defines Ozzy's sound.

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