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Ozzy Osbourne - Goodbye To Romance - Guitar Solo Tab

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Key E minor
Ozzy Osbourne - Goodbye To Romance guitar tab video
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Blizzard Of Ozz (40th Anniversary Expanded Edition) album cover
Blizzard Of Ozz (40th Anniversary Expanded Edition)
2020 5:36
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Ozzy Osbourne Heavy Metal 2020 E minor
Capo Advisor 0 E minor · Original key

About Goodbye To Romance

Few tracks in the Heavy Metal catalogue ask for this kind of gentle restraint from a guitar player. "Goodbye To Romance" is built on clean, arpeggiated chord work and a melodic lead style that owes more to classic rock balladry than anything aggressive. The key of E minor keeps the open strings ringing naturally, and at 92 BPM there is room to be expressive, but that unhurried tempo also means every note choice is exposed. The signature lead lines, courtesy of Randy Rhoads, combine lyrical phrasing with precise vibrato and smooth legato, and getting both right at the same time is where most players slip up. The chord transitions in the verses look straightforward on paper but need a relaxed picking hand to avoid sounding stiff. Use the Practice Toolbar to loop the solo passages slowed down so you can internalize the phrasing before bringing it back up to tempo. Ozzy Osbourne rarely let a ballad sit this quietly, which makes this one worth spending real time on.

  • The guitar parts sit in E Standard tuning, letting open E and B strings ring out naturally through the arpeggiated chord progressions.
  • Randy Rhoads's lead work here prioritises controlled vibrato and legato phrasing over speed, making tone and finger pressure the main technical focus.
  • At 92 BPM the tempo is moderate, but the clean, sparse arrangement leaves little room to hide imprecise fretting or picking technique.

How to Play Goodbye To Romance

The song moves through: Intro, Full speed, 60% speed, RIP.

Tuning: E Standard · Key: E minor · Tempo: 84 BPM

It is built from a handful of distinct sections, so learn each one in blocks before stringing them together. At 84 bpm the slow tempo leaves every note exposed, so timing, vibrato, and dynamics matter more than raw speed.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 84 BPM.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's Les Paul Standard on 'Ordinary Man' delivers Ozzy's signature thick, warm sustain through its mahogany body and set neck. The guitar's natural resonance cuts through a cranked Marshall while maintaining the heavy, blues-rooted tone that defines modern Ozzy records.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Randy Rhoads and Zakk Wylde both relied on the Les Paul Custom's thick mahogany construction and PAF-style humbuckers for sustained, focused leads that pierce through Marshall saturation. The Custom's weight and warmth became sonic anchors for Ozzy's most iconic guitar tones across decades.

Marshall JCM800
Amp

Marshall JCM800

Zakk Wylde dimed the JCM800 2203 for maximum crunch and tight low-end response, making it the backbone of modern Ozzy heaviness. The amp's aggressive gain structure and natural breakup at volume deliver the roaring, sustained tone perfect for pinch harmonics and heavy riffing.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Randy Rhoads' modified 1959 Super Lead Plexi delivered natural tube saturation with a tight, focused midrange that allowed his fast runs and solos to cut through with clarity. The Plexi's simple, responsive design meant tone came directly from his fingers and Les Paul into the amp.

EMG 81
Pickup

EMG 81

Zakk Wylde's bridge position EMG 81 provides high output and compressed sustain essential for heavy riffing and pinch harmonics that define modern Ozzy songs. The active humbucker's tight low-end response couples perfectly with a dimed Marshall JCM800 for maximum aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Randy Rhoads and Zakk Wylde both used the Cry Baby wah to add expressive texture to leads without cluttering their core Marshall-driven tone. The wah's responsive sweep enhanced their solos while remaining secondary to the raw tube amp saturation that defines Ozzy's sound.

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