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Nirvana - In Bloom - Guitar Tab

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Nirvana - In Bloom - Guitar Tab

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Nevermind (Remastered) album cover
Nevermind (Remastered)
1991 4:15
Listen on Spotify
Nirvana Grunge 1991 Bb major
Capo Advisor 0 Bb major · Original key

In Bloom

"In Bloom" is a song by Nirvana, written by Kurt Cobain, and featured as the second track on the band's landmark album Nevermind, released by DGC Records in September 1991. Recorded at Sound City Studios in May 1991 and produced by the band alongside Butch Vig, the track showcases Cobain's signature dynamic shift between quiet verses and explosive choruses. For electric guitar players, it is an essential study in the quiet-loud technique that defined the grunge era, combining clean arpeggiated chords with heavily distorted power chord riffs.

  • The song existed in two versions by 1991, an earlier Sub Pop recording from 1990 and the definitive Nevermind version.
  • Producer Butch Vig co-produced Nevermind, shaping the polished yet raw guitar tone heard throughout the album.
  • Kurt Cobain wrote 'In Bloom,' making it a key example of his songwriting approach combining melody with aggressive guitar dynamics.
Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

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