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Nirvana - You Know You're Right - Guitar Tab

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Nirvana - You Know You're Right - Guitar Tab

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Nirvana - You Know You're Right guitar tab video
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Nirvana album cover
Nirvana
2002 3:37
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Nirvana Grunge 2002 D minor
Capo Advisor 0 D minor · Original key

You Know You're Right

"You Know You're Right" is a song by Nirvana, written by Kurt Cobain, and the final track the band recorded before Cobain's death in April 1994. It was released as the lead track on Nirvana's 2002 greatest hits compilation via DGC Records. For electric guitarists, the song is a compelling study in Cobain's signature quiet-to-loud dynamic, blending restrained clean tones with abrasive, distorted outbursts that defined the grunge era.

  • This was the last song Nirvana ever recorded, making it a historically significant piece in rock guitar history.
  • Kurt Cobain wrote the song, showcasing his trademark use of dynamic contrast between clean verses and heavy choruses.
  • The track was released posthumously in 2002, appearing as the opening song on Nirvana's self-titled greatest hits album.
Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

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