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Led Zeppelin - Over the Hills and Far Away - Guitar Tab

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Key G major
Led Zeppelin - Over the Hills and Far Away guitar tab video
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Houses of the Holy (Remaster) album cover
Houses of the Holy (Remaster)
1973 4:51
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Led Zeppelin Rock 1973 G major
Capo Advisor 0 G major · Original key

About Over the Hills and Far Away

The opening of this 1973 Led Zeppelin track is what most guitarists come here for: a fingerpicked acoustic passage in G major that shifts into a strummed acoustic groove before the full band enters. Getting that fingerpicked intro clean takes more patience than it looks, because the right-hand pattern needs to feel relaxed and singing rather than mechanical. The chord shapes themselves are not exotic, but the transitions have to be smooth enough that the melodic line on top stays even. Once the electric kicks in, the rhythm work demands a confident, loose feel with a slight behind-the-beat swagger that is easy to rush. If the intro fingerpicking is giving you trouble, set up an A/B loop around those first few bars in the Practice Toolbar and work through it slowed down until the hand positions feel automatic. The song rewards guitarists who pay equal attention to both the acoustic and electric halves rather than treating one as a warmup for the other.

  • The acoustic intro is fingerpicked in G major and is the most technically demanding passage, requiring clean string separation and a smooth, unhurried right-hand pattern.
  • When the electric guitar enters, the rhythm part relies on a loose, swinging feel rather than strict timing, so resist the urge to play it stiffly.
  • Practising the acoustic-to-electric transition is worthwhile on its own, since the shift in tone, attack, and dynamics is easy to fumble in a live setting.

How to Play Over the Hills and Far Away

The song moves through: Intro, Verse 1, Bridge 1, Verse 2, Verse 3, Verse 4, Bridge 2, Solo, Bridge 3, Verse 5, Verse 6, Outro.

Key: G major · Tempo: 124 BPM · Difficulty: Medium

The arrangement runs through 12 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 124 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
Amp

Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

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