Practice Studio

Queen - Great King Rat main - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key C minor
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Rock C minor
Capo Advisor 0 C minor · Original key

About Great King Rat main


Few tracks from Queen's debut year pull a guitarist in as many directions at once as "Great King Rat." The song sits in C minor in E Standard tuning at 80 BPM, a tempo that feels unhurried until you realize how much rhythmic control Brian May's riffing demands at that pace. The central riff is blues-rooted but harmonically angular, and keeping it tight without rushing or dragging is the real challenge. Fretting hand muting is essential to get the right punchy character between notes. The track also shifts feel between sections, so tracking those transitions and understanding where the groove changes is key work. Use the Practice Toolbar to loop the main riff slowed down until your pick attack and muting feel completely natural before bringing it back to full speed. Queen were drawing on Hard Rock while pushing its boundaries, and this early cut rewards careful, unhurried practice.

  • The riff sits in C minor and relies on precise fretting hand muting to give it the punchy, staccato character that defines the track.
  • At 80 BPM in E Standard tuning, the moderate tempo puts a spotlight on your rhythmic control and pick attack consistency.
  • The song moves through several distinct feel changes between sections, so isolating each transition with looped slow-down practice pays off quickly.

How to Play Great King Rat main

Tuning: E Standard · Key: C minor · Tempo: 140 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 140 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)