Judas Priest - Beyond The Realms Of Death - Guitar Tab

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Judas Priest - Beyond The Realms Of Death - Guitar Tab

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Stained Class album cover
Stained Class
1978 6:50
Capo Advisor 0 E minor · Original key

Beyond The Realms Of Death


"Beyond The Realms Of Death" is a power ballad by Judas Priest, released on their 1978 album Stained Class. The track shifts between delicate clean guitar passages and heavy, distortion-driven sections, making it a rewarding study in dynamic contrast for electric guitarists. Its enduring status as a fan and critical favorite, along with repeated appearances on live albums, reflects how effectively its guitar work balances melody with heavy metal intensity.

  • Drummer Les Binks co-wrote the music — his only songwriting credit with Judas Priest — making this track an unusual collaborative origin story.
  • The song's clean-to-heavy structure is a practical exercise in tone control, requiring players to switch between fingerpicked and distorted playing.
  • Released in 1978 on Stained Class, the track has appeared on multiple Judas Priest live albums, cementing its place in their setlist history.
Gibson Flying V
Guitar

Gibson Flying V

Richie Faulkner's weapon of choice, the Flying V's aggressive body shape matches Judas Priest's metal aesthetic while its mahogany construction and fast neck enable his lead-heavy playing style. The V's natural sustain and tonal balance cut through stadium mixes with the same clarity that defines modern Priest.

Marshall JCM800
Amp

Marshall JCM800

Glenn Tipton's signature tone comes from cranking the JCM800's preamp to 7-8 for tight, aggressive crunch that retains note clarity even at extreme volumes. The JCM800's midrange-forward character is essential to Priest's riffs cutting through, unlike thrash bands that scoop mids.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

Both Tipton and Downing added Dual Rectifiers to their rigs for added low-end thickness on rhythm parts, complementing the Marshall's midrange presence. The Rectifier's thick saturation anchors Priest's heavier sections without sacrificing articulation.

EMG 81
Pickup

EMG 81

Glenn Tipton's bridge pickup of choice since the mid-1980s, the EMG 81 delivers razor-sharp metal tone with controlled low-end and noise-free operation at high gain. Its tight, compressed attack is crucial for Priest's precise riffing and solos that demand clarity.

Seymour Duncan JB
Pickup

Seymour Duncan JB

A key component of Judas Priest's pre-1984 'British Steel' and 'Screaming for Vengeance' era tone, the JB's medium-hot output provides vintage aggression without the compressed attack of active pickups. This humbucker captures the raw, organic sustain that defined early Priest lead work.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

The Super Distortion bridges the gap between vintage and modern Priest sounds, offering hot output for aggressive leads while maintaining the midrange clarity that makes Priest's twin-guitar harmonies cut through live. It's the ideal passive alternative for recreating classic Priest tones.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)