Practice Studio

Iron Maiden - When The Wild Wind Blows Dave Murray's - Guitar Solo Tab

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About When The Wild Wind Blows Dave Murray's


Few Heavy Metal epics reward careful guitar study quite like "When The Wild Wind Blows," a long-form track from Iron Maiden that demands patience and stamina in equal measure. Running at 120 BPM in E minor and standard tuning, the song moves through multiple distinct sections, so the real challenge is not any single riff but keeping your place across a sprawling arrangement. The guitar work leans heavily on melodic leads, twin-guitar harmonies, and driving rhythm figures that shift feel as the song develops. Getting the clean transitions between those sections tight is where most players will need the most work. Use the Practice Toolbar to isolate each section individually, looping it slowed down until the fingering and picking motion feel automatic before you move on. The picking hand needs to stay relaxed throughout, because fatigue creeps in well before the song ends.

  • The song is in E minor standard tuning, so no retuning is needed, but the long runtime means right-hand stamina is a real concern.
  • Twin-guitar harmonized melody lines are central to the arrangement, making this a strong piece to practise if you want to work on playing in thirds and sixths.
  • Multiple tempo feels appear across the track's sections, so use the Practice Toolbar to loop each transition slowed down before attempting a full run-through.

How to Play When The Wild Wind Blows Dave Murray's

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)