Iron Maiden - Wasting Love Janick Gers's - Guitar Tab

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Iron Maiden - Wasting Love Janick Gers's - Guitar Tab

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Key A minor
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Wasting Love Janick Gers's


"Wasting Love" is a power ballad by Iron Maiden, released in 1992 as the third single from their ninth studio album, Fear of the Dark. Unlike much of the band's catalogue, it features a slower, atmospheric arrangement that highlights melodic guitar work over aggressive riffing. For electric guitar players, it offers a rewarding study in clean and lightly driven tones, expressive lead phrasing, and the emotional restraint that defines a well-crafted rock ballad.

  • Janick Gers, who joined Iron Maiden in 1990, plays a prominent melodic role on this track, showcasing his lyrical lead style.
  • "Wasting Love" stands out in Iron Maiden's discography as a rare full ballad, making it accessible for players still developing technique.
  • The song comes from Fear of the Dark, Iron Maiden's ninth studio album, released in 1992.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)