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Iron Maiden - The Man Of Sorrows Dave Murray's - Guitar Solo Tab

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Iron Maiden - The Man Of Sorrows Dave Murray's guitar tab video
Steph Le Gratteux
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal

About The Man Of Sorrows Dave Murray's

Dave Murray's "The Man Of Sorrows" is one of the more measured and atmospheric tracks in the Iron Maiden catalog, and at 92 BPM in E Standard tuning it gives you room to focus on phrasing and feel rather than sheer speed. The tempo is moderate, but that actually raises the stakes: every note in the melodic lines is exposed, so sloppy fretting or uneven picking stands out immediately. The song calls for the kind of sustained, singing lead tone that rewards smooth pick attack and controlled vibrato, two things that are easy to rush past when you are chasing faster material. If a particular melodic run or chord transition is giving you trouble, loop it slowed down using the Practice Toolbar until the muscle memory is solid before bringing it back up to tempo. This is the kind of heavy metal track where patience in the woodshed pays off more than raw aggression.

  • Playing in E Standard at 92 BPM gives you a manageable tempo to focus on clean fretting and expressive vibrato in the melodic guitar lines.
  • The moderate pace means any inconsistency in pick attack or note sustain is clearly audible, making controlled technique more important than speed here.
  • Practise the lead passages with the Practice Toolbar looped and slowed to isolate phrasing details before building back up to full tempo.

How to Play The Man Of Sorrows Dave Murray's

Tuning: E Standard · Tempo: 92 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 92 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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