Iron Maiden - The Longest Day - Guitar Tab

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Iron Maiden - The Longest Day - Guitar Tab

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Key D minor
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Gain6
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A Matter of Life and Death (2015 Remaster) album cover
A Matter of Life and Death (2015 Remaster)
2006 7:48
Capo Advisor 0 D minor · Original key

The Longest Day


"The Longest Day" is a track by Iron Maiden from their 2006 album A Matter of Life and Death. The song reflects the band's characteristic approach to epic, layered heavy metal, built around interlocking guitar parts from Dave Murray, Adrian Smith, and Janick Gers. For electric guitarists, it offers a compelling study in three-guitar harmony arrangements, galloping rhythms, and the dynamic shifts that define Iron Maiden's mature studio work.

  • The song comes from a three-guitar lineup — Murray, Smith, and Gers — making it ideal for studying layered electric guitar arrangements.
  • A Matter of Life and Death was released in 2006, representing Iron Maiden's later-era sound with longer, more progressive song structures.
  • Iron Maiden were formed in 1975 by bassist Steve Harris, giving the band over three decades of heavy metal history behind this recording.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)