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Iron Maiden - The Legacy Janick Gers - Guitar Solo Tab

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Iron Maiden - The Legacy Janick Gers guitar tab video
Steph Le Gratteux
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal

About The Legacy Janick Gers

Few songs in the Heavy Metal catalogue demand as much from a rhythm guitarist as this one. The twin-guitar interplay that defines Iron Maiden's sound is front and centre here, so expect to lock in tightly with a second part while each guitar carries its own melodic weight. Janick Gers is known for his expressive, loose-wristed picking style and physical stage energy, and that looseness shows up in the feel of the riffs: they breathe a little rather than sitting rigidly on the grid. Getting that feel right takes more work than simply hitting the right notes, so use the Practice Toolbar to loop individual phrases slowed down and focus on where your pick lands relative to the beat. The chord work likely mixes open-position power chords with melodic single-note runs, which is a common Iron Maiden structural pattern worth understanding as a template for the genre.

  • Iron Maiden's twin-guitar arrangements mean this song almost certainly has two interlocking guitar parts, each needing separate focused practice.
  • Janick Gers favours a loose, expressive pick attack rather than a stiff mechanical stroke, so matching that feel is as important as accuracy.
  • Looping the main riff slowed down in the Practice Toolbar will help you nail the rhythmic placement before bringing it up to full tempo.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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