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Iron Maiden - The Clairvoyant Dave Murray's - Guitar Solo Tab

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Key E minor
Iron Maiden - The Clairvoyant Dave Murray's guitar tab video
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal E minor
Capo Advisor 0 E minor · Original key

About The Clairvoyant Dave Murray's

Few Maiden tracks put Dave Murray's melodic instincts on display quite like "The Clairvoyant." The song centers on a twin-guitar arrangement where Murray and Adrian Smith trade lead lines and harmonize over a driving Heavy Metal groove, so your ear needs to be sharp enough to tell who is playing what before you even pick up the guitar. In E minor, both guitar parts lean heavily on the natural minor scale, and the lead work mixes legato hammer-ons and pull-offs with picked runs that sit just fast enough to feel uncomfortable at first. Getting the timing right between rhythm and lead passages is where most players struggle, and that is exactly where the Practice Toolbar earns its keep: loop the transition slowed down until the pick attack feels automatic. Iron Maiden songs like this reward careful, section-by-section work far more than running the whole track on repeat.

  • The song is built around twin-guitar harmonies in E minor, requiring two guitarists or careful overdubbing to replicate the full arrangement.
  • Lead lines throughout rely on natural minor scale runs combined with legato technique, so clean hammer-on and pull-off control is essential.
  • Looping the guitar solo sections slowed down with the Practice Toolbar is the most efficient way to lock in the picking and phrasing accuracy.

How to Play The Clairvoyant Dave Murray's

Key: E minor · Tempo: 156 BPM

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 156 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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