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Iron Maiden - Run Silent Run Deep Dave Murray's - Guitar Solo Tab

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Iron Maiden - Run Silent Run Deep Dave Murray's guitar tab video
Steph Le Gratteux
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Iron Maiden Heavy Metal

About Run Silent Run Deep Dave Murray's

Dave Murray's lead work is the centerpiece of "Run Silent Run Deep," and getting it right takes patience with both phrasing and vibrato. The track sits at 110 BPM in E Standard tuning, which keeps the riffing tight and the soloing clean without any retuning headaches. The main riff moves with a driving, mid-tempo chug that rewards solid right-hand muting technique, so keep your palm contact consistent or the low-end will turn to mud. Where the song really tests you is in the melodic lead lines, where Murray's characteristic smooth vibrato and legato phrasing need to feel relaxed rather than forced. Those transitions between rhythm and lead can trip you up if you are not watching your pick attack. Use the Practice Toolbar to isolate and slow down any lead phrase that feels slippery until the fingering becomes second nature. Iron Maiden built their sound on twin-guitar interplay, and even on a solo run-through this Heavy Metal track rewards attention to tone and dynamics over sheer speed.

  • The song sits at 110 BPM in E Standard tuning, making it approachable for intermediate players building speed and accuracy in the Heavy Metal style.
  • Dave Murray's lead lines rely heavily on smooth vibrato and legato phrasing, so focus on left-hand finger strength and consistent vibrato width before attempting full speed.
  • Palm-muted rhythm riffing underpins much of the track, and clean mute contact on the lower strings is essential to keeping the chug articulate.

How to Play Run Silent Run Deep Dave Murray's

Tuning: E Standard · Tempo: 110 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 110 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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