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Iron Maiden - Remember Tomorrow Dave Murray - Guitar Solo Tab

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Key E minor
Iron Maiden - Remember Tomorrow Dave Murray guitar tab video
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Iron Maiden Heavy Metal E minor
Capo Advisor 0 E minor · Original key

About Remember Tomorrow Dave Murray

Few early Iron Maiden tracks reward close study on guitar quite like "Remember Tomorrow." It opens with a clean fingerpicked passage in E minor that asks for a gentle, measured touch, and the contrast when the distorted section arrives is half the drama of the piece. At 120 BPM the tempo is not punishing, but keeping the clean intro even and expressive is harder than it looks, especially maintaining smooth transitions between picked notes without letting them bleed together untidily. Dave Murray's lead work here is an early example of his melodic, singing phrasing, so focus on sustain and vibrato rather than speed. The shift from clean to overdriven rhythm is a great moment to isolate with the Practice Toolbar, looping it slowed down until the dynamic switch feels natural and controlled. This song sits in the broader world of Heavy Metal but draws heavily on a quieter, more introspective side that makes it genuinely useful for building dynamic awareness on guitar.

  • The clean fingerpicked intro in E minor is the main technical challenge, demanding even note spacing and a controlled, expressive touch.
  • Dave Murray's lead tone here prioritises melodic sustain and vibrato, so practise holding bends steady rather than rushing through the phrases.
  • The song is in E Standard tuning, so no retuning is needed, but the dynamic jump from clean to distorted requires a well-set amp or pedal gain stage.

How to Play Remember Tomorrow Dave Murray

Tuning: E Standard · Key: E minor · Tempo: 82 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 82 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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