Practice Studio

Iron Maiden - Prodigal Son Dave Murray's - Guitar Solo Tab

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Speed Control

Speed
100%

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BPM
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Prodigal Son Dave Murray's


"Prodigal Son" is one of the quieter corners of the Iron Maiden catalog, and that contrast is exactly what makes it worth studying. The song leans on a fingerpicked, acoustic-flavored approach rather than the galloping riffs the band is known for, so your picking-hand control and tone are under a microscope from the first bar. Dave Murray's lead work here calls for smooth, melodic phrasing with careful attention to vibrato and note sustain, things that get sloppy at speed but fall apart even faster when you slow down and really listen. If the bends or the lead lines are giving you trouble, use the Practice Toolbar to loop those sections at a reduced speed and focus on intonation before bringing the tempo back up. Getting the feel right matters as much as the notes here: the song breathes, and rushing it flattens everything that makes it interesting.

  • The song favors a melodic, fingerstyle-influenced guitar approach rather than the aggressive picking typical of the band's heavier material.
  • Dave Murray's lead lines rely heavily on smooth vibrato and controlled bends, making intonation the main technical challenge to practise.
  • Working through the lead phrases slowly with looping is especially useful here, since the phrasing depends on feel as much as accuracy.

How to Play Prodigal Son Dave Murray's

Tempo: 106 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 106 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)