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Iron Maiden - Fates Warning Janick Gers's - Guitar Solo Tab

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Iron Maiden - Fates Warning Janick Gers's guitar tab video
Steph Le Gratteux
Steph Le Gratteux Top Contributor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal

About Fates Warning Janick Gers's

Janick Gers's guitar work on this Heavy Metal track from Iron Maiden is a rewarding study in the band's twin-guitar interplay and melodic lead phrasing. The song demands clean pick attack for the galloping rhythm sections as well as fluid legato runs in the lead passages. Getting the transitions between rhythm and lead clean at full tempo is genuinely tricky, so use the Practice Toolbar to loop those sections slowed down until your muscle memory is solid. Pay close attention to how the chord shapes are voiced: Iron Maiden favours power chords with moving inner lines, and letting those inner notes ring clearly takes deliberate left-hand control. The overall feel relies on keeping a consistent, driving right-hand pulse even when the fretting hand is doing more complex work, so practise both hands in isolation before combining them.

  • Iron Maiden songs featuring Janick Gers typically involve fast alternate-picking passages and wide vibrato on lead lines, both of which require focused, isolated practice.
  • The twin-guitar arrangement common to Iron Maiden means learning the Gers part rewards you with a complete melodic voice that sits alongside a second guitar harmony.
  • If the chord transitions feel rushed at tempo, loop the difficult passage slowed down using the Practice Toolbar to build accuracy before speeding back up.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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