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Iron Maiden - Blood Brothers Janick Gers's - Guitar Solo Tab

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Key A minor
Iron Maiden - Blood Brothers Janick Gers's guitar tab video
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Classic Rock

Gain6
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Mid7
Treble6
Presence5
Master7
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Iron Maiden Heavy Metal A minor
Capo Advisor 0 A minor · Original key

About Blood Brothers Janick Gers's

Blood Brothers is one of the more melodically rich entries in the Iron Maiden catalogue, and Janick Gers's guitar part is a great example of how Heavy Metal can carry genuine emotional weight without relying purely on aggression. Playing in A minor at 120 BPM in E Standard tuning, the part sits at a moderate tempo that rewards clean execution over speed. The challenge here is not sheer velocity but rather phrasing: keeping the melodic lines singing and the rhythm parts locked in tightly without losing the feel that makes the song work. Pay close attention to pick attack and note length, since sloppy articulation stands out at this tempo far more than it would in a faster track. The solo sections and any lead fills are worth isolating with the Practice Toolbar, looping them slowed down until the phrasing feels natural before bringing things back up to full speed.

  • Played in E Standard tuning in A minor, the part relies on melodic phrasing and controlled dynamics rather than technical speed.
  • At 120 BPM the moderate tempo puts a spotlight on clean articulation, so even small timing inconsistencies in riffs or runs become noticeable.
  • Use the Practice Toolbar to loop lead fills and solo passages slowed down, focusing on consistent pick attack before returning to full tempo.

How to Play Blood Brothers Janick Gers's

Tuning: E Standard · Key: A minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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