Practice Studio

Iron Maiden - Blood Brothers Dave Murray's - Guitar Solo Tab

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Blood Brothers Dave Murray's


Dave Murray's guitar work on "Blood Brothers" sits at the heart of what makes Iron Maiden so rewarding to study. Written in E minor and played in E Standard tuning at 128 BPM, the song has a measured, anthemic pace that gives every note room to breathe, which actually raises the stakes for clean execution. The melodic lead lines demand smooth legato phrasing and precise picking control, and any sloppiness is immediately audible against the open, spacious arrangement. Pay close attention to how the guitar parts build in layers, a hallmark of the twin-guitar approach Maiden refined over decades of heavy metal songwriting. If the lead phrasing feels slippery at tempo, pull it into the Practice Toolbar, loop the tricky passage, and work it at 60 or 70 percent speed before pushing back up. The reward for getting this one right is a part that genuinely sings.

  • Played in E Standard tuning in the key of E minor, the song sits in a range that suits both rhythm work and singing melodic lead lines without retuning.
  • At 128 BPM the tempo is moderate for heavy metal, meaning note clarity and phrasing control matter more than raw speed.
  • The melodic lead guitar parts reward a legato touch, so focus your practice on smooth hammer-ons and pull-offs to capture the right feel.

How to Play Blood Brothers Dave Murray's

Tuning: E Standard · Key: E minor · Tempo: 128 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 128 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)