Iron Maiden - Infinite Dreams - Guitar Tab

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Iron Maiden - Infinite Dreams - Guitar Tab

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Key F minor
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Gain6
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Seventh Son of a Seventh Son (2015 Remaster) album cover
Seventh Son of a Seventh Son (2015 Remaster)
1988 6:09
Capo Advisor 0 F minor · Original key

Infinite Dreams


"Infinite Dreams" is a progressive heavy metal track by Iron Maiden, originally from their 1988 album Seventh Son of a Seventh Son. It gained wider attention as a live single released in 1989, captured during a Birmingham performance on the Seventh Son world tour. For electric guitarists, it offers a compelling study in melodic twin-guitar harmony, dynamic shifts between clean introspective passages and driven metal riffing, and the expressive lead work that defines Iron Maiden's signature sound.

  • The live single runs approximately 6 minutes and 9 seconds, giving guitarists an extended performance to analyze and learn from.
  • The 1989 live release was recorded in Birmingham, England, making it one of the few singles tied directly to a home video release.
  • This single marked the end of an era, guitarist Adrian Smith left Iron Maiden in January 1990, making it the last full lineup single for a decade.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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