Practice Studio

Avenged Sevenfold - Dear God - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key G minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 G minor · Original key

About Dear God


Few Avenged Sevenfold tracks demand as much range from a guitarist as "Dear God." The song opens with a fingerpicked acoustic section in G minor that feels almost country-influenced, so clean tone and steady right-hand finger control are essential before you even think about the heavier passages. The tuning is Eb Standard, meaning every string sits one semitone down from concert pitch, which gives the riffs a slightly darker, looser feel while keeping chords relatively familiar. At 120 BPM the tempo is approachable, but the transitions between the delicate clean picking and the full, driven rhythm sections require careful attention to dynamics. The acoustic intro is the part most players rush or muff, so use the Practice Toolbar to loop it slowed down until your picking hand is completely consistent. When you move into the electric sections, focus on keeping your rhythm tight and your muting clean, because sloppy palm muting will undercut the contrast the song is built around.

  • The song opens with fingerpicked acoustic guitar, making clean right-hand technique and consistent finger placement the first real hurdle for learners.
  • Everything is played in Eb Standard tuning, so drop your whole guitar one semitone before you start to match the recording accurately.
  • The contrast between the soft acoustic intro and the heavier electric sections means practising smooth dynamic transitions, not just individual riffs in isolation.

How to Play Dear God

Tuning: Eb Standard · Key: G minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Zacky Vengeance pairs the JCM800 with his Schecter for a grittier, more classic crunch on rhythm duties, cutting through the mix with natural breakup without relying solely on high-gain saturation.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Synyster Gates uses this wah to add expressive dynamics to his lead passages, allowing him to shape the midrange of his high-output bridge pickup for singing, vocal-like solo tones.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator tames the high-gain hum inherent to Avenged Sevenfold's aggressive drop-tuned rhythms and sustain-heavy leads, keeping the signal clean without sacrificing the thick distortion tone.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

Synyster Gates deploys this analog delay to add ambience and spaciousness to his solos, complementing his Sustainiac-driven feedback passages with lush, tape-like modulation for dynamic lead work.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)