Practice Studio

Avenged Sevenfold - A Little Piece of Heaven - Guitar Tab

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Key F minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 F minor · Original key

About A Little Piece of Heaven


At 60 BPM in Drop D and F minor, "A Little Piece of Heaven" sits at a deceptively relaxed tempo that pulls you into a sprawling, theatrical arrangement. Avenged Sevenfold wrote this as a genuine genre-blending oddity within their catalog, and the guitar parts reflect that: expect clean waltz-feel passages, sudden heavy riff sections leaning on that dropped low D string, and transitions that shift tone completely from section to section. The real challenge is not raw speed but rather keeping up with the song's structural complexity and knowing where you are at any given moment. The Drop D tuning makes the heavier chord voicings straightforward with one-finger power chords, but the lighter orchestral sections demand clean picking and careful dynamics. Use the Practice Toolbar to loop individual sections slowed down, because the transitions between soft and heavy are where most players lose their footing. Heavy Metal technique meets theatrical arrangement here, so treat this more like learning a suite than a single riff.

  • The Drop D tuning lets you hammer out one-finger power chords on the low string for the heavier riff sections, keeping the left hand free for embellishments.
  • The song's constant shifts between clean, delicate passages and full heavy sections demand precise volume and tone control from the guitarist.
  • At 60 BPM the tempo is slow, but the irregular structure across a very long runtime makes navigating the arrangement the central practice challenge.

How to Play A Little Piece of Heaven

Tuning: Drop D · Key: F minor · Tempo: 60 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here. At 60 bpm the slow tempo leaves every note exposed, so timing, vibrato, and dynamics matter more than raw speed.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 60 BPM.

Marshall JCM800
Amp

Marshall JCM800

Zacky Vengeance pairs the JCM800 with his Schecter for a grittier, more classic crunch on rhythm duties, cutting through the mix with natural breakup without relying solely on high-gain saturation.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Synyster Gates uses this wah to add expressive dynamics to his lead passages, allowing him to shape the midrange of his high-output bridge pickup for singing, vocal-like solo tones.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator tames the high-gain hum inherent to Avenged Sevenfold's aggressive drop-tuned rhythms and sustain-heavy leads, keeping the signal clean without sacrificing the thick distortion tone.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

Synyster Gates deploys this analog delay to add ambience and spaciousness to his solos, complementing his Sustainiac-driven feedback passages with lush, tape-like modulation for dynamic lead work.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)