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Pink Floyd - Wish You Were Here - Outro Solo - Guitar Lesson

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Pink Floyd - Wish You Were Here - Outro Solo - Guitar Lesson

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Pink Floyd - Wish You Were Here - Outro Solo guitar lesson video
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Wish You Were Here - Outro Solo

"Wish You Were Here - Outro Solo" is the closing guitar passage from Pink Floyd's 1975 title track, written by David Gilmour and Roger Waters. The outro features Gilmour's signature melodic phrasing, making it a rewarding study in expressive, emotional lead playing. For electric guitarists, it offers a clear example of how tone, bends, and vibrato can communicate feeling over a simple chord progression.

  • David Gilmour's outro solo is built on pentatonic and blues scales, ideal for intermediate players developing expressive lead technique.
  • The song was co-written by Gilmour and Roger Waters, reflecting the band's collaborative dynamic on the 1975 album.
  • Gilmour's use of sustained bends and controlled vibrato in this solo is widely studied as a masterclass in minimalist phrasing.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

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