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Pink Floyd - Wish You Were Here - Main Solo - Guitar Lesson

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Key G major
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About Wish You Were Here - Main Solo


Few guitar moments feel as open and unhurried as the solo in "Wish You Were Here." David Gilmour builds it from a small handful of bends and pentatonic phrases, but the real challenge is not the notes themselves, it is making every single one breathe. The solo sits in G major and leans heavily on expressive string bends, vibrato control, and careful phrasing. Rushing any of it collapses the whole feeling. That means a clean, slow practice pass is essential before you try it at tempo. Use the Practice Toolbar to loop the trickiest bend-and-release moments slowed down until your intonation is consistent. The tone Gilmour gets here is clean with a subtle warmth, so plug in something close to that and listen critically to your sustain and vibrato width as you work through each phrase. Let the silences between notes do as much work as the notes themselves, because that space is exactly what makes this solo so affecting. Check out more from Pink Floyd on this site to see how that philosophy carries across their catalog.

  • The solo is built almost entirely on G major pentatonic phrases, making note choice straightforward but placing the entire demand on tone and expression.
  • Gilmour's signature wide, slow vibrato is the hardest element to replicate accurately, so isolate each held note and practise the vibrato motion separately.
  • Because the solo is played clean at a gentle pace, any flaw in bend intonation or timing is immediately audible, so slow practice is essential.

How to Play Wish You Were Here - Main Solo

Key: G major · Tempo: 60 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 60 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.