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Pink Floyd - Wish You Were Here - Intro Solo - Guitar Lesson

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Pink Floyd - Wish You Were Here - Intro Solo - Guitar Lesson

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Pink Floyd - Wish You Were Here - Intro Solo guitar lesson video
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Wish You Were Here - Intro Solo

"Wish You Were Here - Intro Solo" is the iconic acoustic and electric guitar introduction to Pink Floyd's 1975 title track from the album of the same name. Written by David Gilmour and Roger Waters, the piece showcases Gilmour's expressive phrasing and clean tone. For electric guitar players, learning this intro is a valuable exercise in dynamics, bending technique, and creating an emotional, spacious sound with minimal notes.

  • The intro features a distinctive two-guitar effect, one track simulates a radio tone, the other plays clean and full.
  • David Gilmour co-wrote the song with Roger Waters, and sang lead vocals on the finished recording.
  • The sparse, melodic phrasing in the intro makes it an ideal piece for practicing expressive bends and vibrato control.
Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

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