Practice Studio

AC/DC - Who Made Who - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Who Made Who


At 112 BPM in Eb Standard tuning, "Who Made Who" sits in that sweet spot where the groove feels locked in but the picking hand never gets to relax. The song is built around a hypnotic, syncopated riff in E minor that leans hard on muted single notes, so your right-hand palm muting has to be consistent and tight throughout. Sloppy muting is the first thing that will expose you, and the riff repeats enough times that any inconsistency becomes obvious fast. The lead breaks demand confident bends and vibrato, so if either of those feels shaky, use the Practice Toolbar to loop those sections slowed down until the muscle memory is solid. AC/DC keep the arrangement deceptively sparse, which means every note you play is audible, and there is nowhere to hide a missed accent. If you play in standard tuning, dropping to Eb Standard is worth the effort because the slightly looser string tension genuinely helps the riff feel the way it should. Fans of Hard Rock will find this a rewarding study in how much attitude a two-note riff can carry.

  • The riff is built on tight palm-muted single notes in E minor, so right-hand consistency is the core technique the song demands.
  • Eb Standard tuning is required to play along with the recording, meaning every string is tuned down one half step from standard.
  • At 112 BPM the tempo is moderate, but the syncopated accents in the main riff can trip up players who have not isolated them slowly first.

How to Play Who Made Who

Tuning: Eb Standard · Key: E minor · Tempo: 112 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 112 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.