Practice Studio

Cream - White Room - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key D minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Cream Hard Rock D minor
Capo Advisor 0 D minor · Original key

About White Room


Few tracks from 1968 pack as much guitar interest into one arrangement as "White Room." Eric Clapton opens with a wah-wah figure that has become one of the most recognisable applications of the effect in Hard Rock, and nailing its feel requires real control of the pedal sweep timed to the rhythm. The verse riff sits in D minor and moves with a deliberate, slightly behind-the-beat heaviness that rewards patience. At 120 BPM in E Standard tuning, nothing here is physically brutal, but the wah phrasing and the bends in the solo demand accuracy over speed. Cream recorded this for their 1968 double album, and the studio version gives you the full arrangement to study. The outro solo in particular involves layered bends and position shifts that can be tricky to piece together, so use the Practice Toolbar to loop those bars slowed down until each phrase locks in cleanly.

  • The wah-wah pedal is central to the main guitar part, so dialling in the sweep timing is as important as the notes themselves.
  • The song is in D minor in E Standard tuning at 120 BPM, making the technical challenge about phrasing and control rather than speed.
  • The outro solo contains position shifts and sustained string bends that are worth isolating and looping slowed down before playing them up to tempo.

How to Play White Room

Tuning: E Standard · Key: D minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Lighter and more aggressive than the Les Paul, the SG's slim mahogany body and twin humbuckers produce a raw, snarling midrange. Angus Young's weapon of choice - perfect for high-energy rock and hard-driving riffs.

Marshall JTM45
Amp

Marshall JTM45

Marshall's first amplifier and the blueprint for all British rock tone. Based on the Fender Bassman circuit, the JTM45's KT66 power tubes and bold midrange deliver a warm, fat breakup that influenced decades of rock playing.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The most recognised wah pedal on the planet. The Cry Baby's vocal frequency sweep gave Hendrix, Clapton and Kirk Hammett their signature lead voices. Rock, funk, metal - no pedalboard is complete without one.