Practice Studio

Queen - We Are The Champions - Solo - Guitar Lesson

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Key C major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Rock C major
Capo Advisor 0 C major · Original key

About We Are The Champions - Solo


The guitar solo in "We Are The Champions" by Queen is a compact but expressive moment that rewards careful attention to phrasing and sustain. Brian May's playing here leans heavily on melodic phrasing in C major, where bending in tune and controlling vibrato matter far more than speed. The solo is relatively short, but getting the bends to land exactly on pitch and decay naturally is genuinely tricky, and sloppy vibrato will stand out immediately against the song's big, open-chord feel. The surrounding rhythm parts use a lot of resonant, ringing chord voicings, so matching that warm, singing tone for the solo takes some thought about your pickup selection and picking attack. If the bend-and-release phrases are giving you trouble, set up the Practice Toolbar to loop them slowed down until your muscle memory locks in the correct pitch target. Pay equal attention to dynamics: May shapes each phrase with noticeable swells, so a flat, even attack will miss the point entirely.

  • The solo sits in C major and relies on lyrical bending and sustained vibrato rather than fast runs, making clean intonation the core challenge.
  • Brian May was known for using a sixpence as a pick, which contributes to the bright, crisp attack heard throughout Queen recordings.
  • Practising the solo at reduced speed with the Practice Toolbar helps lock in accurate bend pitches before bringing it back up to tempo.

How to Play We Are The Champions - Solo

Key: C major · Tempo: 64 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 64 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.