Practice Studio

Van Halen - Runaround - Guitar Lesson

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Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Van Halen Hard Rock E major
Capo Advisor 0 E major · Original key

About Runaround


"Runaround" gives you a good look at the tighter, more groove-oriented side of Van Halen, sitting in E major with a feel that rewards clean left-hand technique as much as flash. The rhythm part is where most players should start: the chord voicings sit in familiar territory but the right-hand attack and timing need to be precise to capture that snappy, bouncing feel. Lead work in this track leans on fluid position shifts and quick legato runs, so if your hammer-ons and pull-offs are not yet smooth, that is where to focus your time. The key of E major means open-string resonance is your friend, but sloppy fretting will ring out every mistake, so slow repetition matters. Use the Practice Toolbar to loop any run that is tripping you up, dropping the tempo until every note speaks clearly before bringing it back to speed. Hard Rock guitar playing often lives or dies in the pocket, and this track is a fair test of whether you are truly sitting in the groove.

  • Playing in E major means open strings are available throughout, which you can use to smooth out position changes in both rhythm and lead parts.
  • The rhythm guitar part demands a precise, consistent pick attack to lock in the groove, making it a useful exercise for right-hand control.
  • Legato technique, specifically clean hammer-ons and pull-offs, is central to navigating the lead passages at full tempo without tension in the fretting hand.

How to Play Runaround

Key: E major

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Gibson ES-335
Guitar

Gibson ES-335

Eddie Van Halen pulled a Gibson PAF humbucker from a ES-335 to load his original Frankenstrat, giving him a low-output pickup that maintained clarity during lightning-fast tapping and legato runs despite heavy gain.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Eddie's 1968 Marshall Plexi Super Lead, run through a variac at 90 volts, created his legendary 'brown sound' by pushing power tubes into sweet, spongy saturation at gig volumes, defining his harmonic sustain and responsiveness.

Soldano SLO-100
Amp

Soldano SLO-100

Eddie adopted the Soldano SLO-100 as a tonal alternative to Marshalls, delivering the high-headroom, articulate gain he needed for his finger-tapping technique while maintaining clarity in complex legato passages.

Peavey 5150
Amp

Peavey 5150

Eddie co-designed the Peavey 5150 to capture his signature tone in a modern platform, offering three channels from clean sparkle to crushing high-gain with EL34 power tubes for dynamic responsiveness across his entire playing vocabulary.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie employed the Dunlop Cry Baby wah strategically on select solos, using it to add vocal-like expression and sweep to his lead lines without relying heavily on effect-driven tones.

MXR Phase 90
Pedal

MXR Phase 90

Eddie's MXR Phase 90 script-logo version created his signature swirling, vocal sweep on 'Eruption' and 'Ain't Talkin' 'Bout Love,' becoming one of rock's most identifiable effect tones through minimal, tasteful use.