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Van Halen - Beautiful Girls - Guitar Lesson

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Van Halen - Beautiful Girls - Guitar Lesson

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Van Halen - Beautiful Girls guitar lesson video
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Classic Rock

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Van Halen Hard Rock A major
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Beautiful Girls

"Beautiful Girls" is the closing track on Van Halen's 1979 album Van Halen II. A hard rock anthem built on Eddie Van Halen's driving riff work, the song became a regular fixture in the band's live setlist during their Van Halen II tour. For electric guitar players, it offers a solid study in Eddie's rhythm guitar style alongside the flashier lead playing the band was known for.

  • The song was originally titled 'Bring on the Girls' when recorded for Van Halen's early 25-song Warner Brothers demo.
  • 'Beautiful Girls' closes out Van Halen II, making it the final statement on the band's 1979 sophomore record.
  • The track was a concert staple during the Van Halen II tour, giving it a proven live energy worth capturing when learning it.
Gibson ES-335
Guitar

Gibson ES-335

Eddie Van Halen pulled a Gibson PAF humbucker from a ES-335 to load his original Frankenstrat, giving him a low-output pickup that maintained clarity during lightning-fast tapping and legato runs despite heavy gain.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Eddie's 1968 Marshall Plexi Super Lead, run through a variac at 90 volts, created his legendary 'brown sound' by pushing power tubes into sweet, spongy saturation at gig volumes, defining his harmonic sustain and responsiveness.

Soldano SLO-100
Amp

Soldano SLO-100

Eddie adopted the Soldano SLO-100 as a tonal alternative to Marshalls, delivering the high-headroom, articulate gain he needed for his finger-tapping technique while maintaining clarity in complex legato passages.

Peavey 5150
Amp

Peavey 5150

Eddie co-designed the Peavey 5150 to capture his signature tone in a modern platform, offering three channels from clean sparkle to crushing high-gain with EL34 power tubes for dynamic responsiveness across his entire playing vocabulary.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie employed the Dunlop Cry Baby wah strategically on select solos, using it to add vocal-like expression and sweep to his lead lines without relying heavily on effect-driven tones.

MXR Phase 90
Pedal

MXR Phase 90

Eddie's MXR Phase 90 script-logo version created his signature swirling, vocal sweep on 'Eruption' and 'Ain't Talkin' 'Bout Love,' becoming one of rock's most identifiable effect tones through minimal, tasteful use.

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