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Marilyn Manson - The Beautiful People - Guitar Lesson

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Marilyn Manson - The Beautiful People - Guitar Lesson

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Marilyn Manson - The Beautiful People guitar lesson video
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Marilyn Manson Industrial Metal E minor
Capo Advisor 0 E minor · Original key

The Beautiful People

"The Beautiful People" is an industrial metal track by Marilyn Manson, released in September 1996 as the lead single from the band's second studio album, Antichrist Superstar. Written by frontman Marilyn Manson and Twiggy Ramirez, and produced by Trent Reznor and Dave Ogilvie, the song is driven by a relentless, distorted riff that makes it a compelling study in heavy rhythm guitar. Its aggressive tone and straightforward structure make it an accessible yet rewarding piece for electric guitarists exploring industrial metal.

  • The main riff is heavily distorted and rhythm-focused, making it ideal for practicing tight, aggressive down-picking technique.
  • The track was produced by Trent Reznor of Nine Inch Nails, reflecting a strong industrial influence on the guitar sound.
  • The song was co-written by bassist Twiggy Ramirez, whose low-end work closely mirrors the guitar riff throughout the track.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Twiggy Ramirez favors Les Paul-style guitars for their fat midrange and sustain, essential for making drop-tuned riffs cut through Manson's heavily distorted mix. The Les Paul's inherent warmth and resonance complement Marshall amp saturation perfectly.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom's thicker body and construction enhance sustain and midrange presence, qualities Twiggy Ramirez exploits for Marilyn Manson's articulate yet crushing heavy tone. Its weight and resonance support the band's drop-C tuning demands.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's natural midrange peak and responsive power-tube saturation give Marilyn Manson clarity and articulation in their drop-tuned heaviness, avoiding the scooped, digitally-processed sound of modern metal. Marshall's overdrive character remains core to their tone philosophy.

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