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Led Zeppelin - Ten Years Gone Pt.2 - Guitar Lesson

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Led Zeppelin - Ten Years Gone Pt.2 guitar lesson video
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Led Zeppelin II (Remastered) album cover
Led Zeppelin II (Remastered)
1969 4:34
Listen on Spotify
Led Zeppelin Rock 1969

About Ten Years Gone Pt.2

Few Led Zeppelin tracks demand as much from a guitarist as "Ten Years Gone." The arrangement layers multiple guitars into a dense, interlocking web of parts, and the challenge is figuring out which voice to focus on and how each one sits in the mix. Jimmy Page famously overdubbed several guitar lines that weave around each other, so isolating a single part and learning it cleanly is the right first step. The chord shapes lean into open and partial voicings that give the song its hazy, resonant quality, and your fretting hand needs to move with care to avoid killing those sustained notes. Getting the feel right matters as much as hitting the right frets: the playing breathes and pushes in ways that straight-time strumming will not capture. Use the Practice Toolbar to loop any tricky transition slowed down until the movement between voicings becomes natural. Led Zeppelin built this piece around mood and texture, so patience with the details pays off.

  • The song features multiple overdubbed guitar parts by Jimmy Page that interlock across the stereo field, making it one of the more arrangement-dense pieces in the Zeppelin catalog.
  • Open and partial chord voicings are central to the song's tone, so clean fretting that preserves sustained notes is a key technical focus.
  • Slowing down the interweaving riff passages with the Practice Toolbar is the most effective way to untangle which notes belong to which guitar layer.

How to Play Ten Years Gone Pt.2

Tempo: 144 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 144 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
Amp

Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

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