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Whitesnake - Still Of The Night Pt.5 - Outro Section - Guitar Lesson

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Whitesnake - Still Of The Night Pt.5 - Outro Section - Guitar Lesson

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Whitesnake - Still Of The Night Pt.5 - Outro Section guitar lesson video
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Still Of The Night Pt.5 - Outro Section

"Still Of The Night Pt.5 - Outro Section" by Whitesnake is the closing segment of one of the band's most celebrated tracks, known for its heavy blues-rock foundation and hard-driving guitar work. The outro section is a rewarding study for electric guitarists, offering an opportunity to explore the song's signature riff-based structure and dynamic tension. Mastering this section helps players develop control over tone, phrasing, and the kind of blues-inflected rock playing that defined Whitesnake's guitar style.

  • The outro section is ideal for practicing controlled sustain and vibrato, key techniques in Whitesnake's blues-rock guitar vocabulary.
  • "Still Of The Night" is widely regarded as one of the most guitar-driven tracks in Whitesnake's catalog, drawing comparisons to Led Zeppelin.
  • Breaking the song into numbered parts, like this Pt.5 outro, makes it easier for guitarists to tackle its complex structure in focused practice sessions.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

While John Sykes favored the Les Paul Custom, the Standard delivers the same thick humbucker warmth essential to Whitesnake's classic rock tone. Its slightly lighter weight and traditional specs make it an accessible alternative for achieving that powerful, sustained lead sound through cranked tube amps.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

John Sykes' black 1978 Les Paul Custom with gold hardware is the definitive Whitesnake guitar, its stock Gibson humbuckers producing the warm midrange growl and controlled compression needed for 'Still of the Night' solos. This guitar's thick, harmonically rich character became inseparable from the band's signature hard rock voice.

Ibanez JEM
Guitar

Ibanez JEM

Steve Vai brought the Ibanez JEM 777 and its Floyd Rose tremolo to Whitesnake, enabling expressive solo techniques and pitch-bending flexibility that complemented the band's shredding era. The JEM's bright, articulate character contrasted with traditional Les Paul tones while maintaining cutting power through Marshall stacks.

Marshall JCM800
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Marshall JCM800

The Marshall JCM800 is the sonic foundation of Whitesnake, delivering the thick, tube-driven natural saturation and harmonically rich distortion that defines songs like 'Still of the Night.' Sykes pushed these heads hard in the preamp, maintaining high presence and treble to retain clarity and pick attack in solos.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

John Sykes used the Dunlop Cry Baby Wah sparingly but effectively for solo accents and expressive passages, adding dynamic color without cluttering Whitesnake's amp-driven aesthetic. This pedal's responsive sweep complemented his Les Paul's warm tone while enhancing the emotional impact of key lead moments.

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