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Whitesnake - Still Of The Night Pt.2 - Octave Riff, Pre-Chorus & Chorus - Guitar Lesson

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Whitesnake - Still Of The Night Pt.2 - Octave Riff, Pre-Chorus & Chorus - Guitar Lesson

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Whitesnake - Still Of The Night Pt.2 - Octave Riff, Pre-Chorus & Chorus guitar lesson video
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Still Of The Night Pt.2 - Octave Riff, Pre-Chorus & Chorus

"Still Of The Night" by Whitesnake is a hard rock track featuring intricate guitar work that has made it a staple for electric guitar players. This lesson focuses on Part 2, covering the octave riff, pre-chorus, and chorus sections, core building blocks of the song's guitar-driven structure. With its connection to guitarist Steve Vai, who recorded and toured with Whitesnake, these sections offer players a chance to study powerful riffing techniques and dynamic chord transitions found in classic hard rock repertoire.

  • Steve Vai, a three-time Grammy Award winner, recorded and toured with Whitesnake, contributing to the band's guitar legacy.
  • The octave riff section is a key technique to master, octave shapes across strings are fundamental to hard rock rhythm playing.
  • Vai began his professional music career in 1978, later bringing elite-level technique to Whitesnake's hard rock sound.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

While John Sykes favored the Les Paul Custom, the Standard delivers the same thick humbucker warmth essential to Whitesnake's classic rock tone. Its slightly lighter weight and traditional specs make it an accessible alternative for achieving that powerful, sustained lead sound through cranked tube amps.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

John Sykes' black 1978 Les Paul Custom with gold hardware is the definitive Whitesnake guitar, its stock Gibson humbuckers producing the warm midrange growl and controlled compression needed for 'Still of the Night' solos. This guitar's thick, harmonically rich character became inseparable from the band's signature hard rock voice.

Ibanez JEM
Guitar

Ibanez JEM

Steve Vai brought the Ibanez JEM 777 and its Floyd Rose tremolo to Whitesnake, enabling expressive solo techniques and pitch-bending flexibility that complemented the band's shredding era. The JEM's bright, articulate character contrasted with traditional Les Paul tones while maintaining cutting power through Marshall stacks.

Marshall JCM800
Amp

Marshall JCM800

The Marshall JCM800 is the sonic foundation of Whitesnake, delivering the thick, tube-driven natural saturation and harmonically rich distortion that defines songs like 'Still of the Night.' Sykes pushed these heads hard in the preamp, maintaining high presence and treble to retain clarity and pick attack in solos.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

John Sykes used the Dunlop Cry Baby Wah sparingly but effectively for solo accents and expressive passages, adding dynamic color without cluttering Whitesnake's amp-driven aesthetic. This pedal's responsive sweep complemented his Les Paul's warm tone while enhancing the emotional impact of key lead moments.

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