Practice Studio

Stevie Ray Vaughan - Texas Flood - Verse 3 - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Texas Flood - Verse 3


Verse 3 of "Texas Flood" is where Stevie Ray Vaughan really opens up, and for guitarists it is the most demanding stretch of the song to replicate faithfully. The slow, grinding feel of Blues Rock at 90 BPM asks you to sit deep in the groove rather than rush, and Vaughan's phrasing leans heavily behind the beat, which is harder to nail than any individual lick. The song is played in Eb Standard tuning, so drop your whole guitar a half step before you start. Bending in Eb feels slightly looser than E Standard, but Vaughan used heavy strings, so his bends still demanded real left-hand strength. The vibrato in this verse is the real test: wide, slow, and controlled, not a nervous shimmy. Pick out the longer held notes and use the Practice Toolbar to loop them slowed down until your vibrato settles into something deliberate and even.

  • The song is played in Eb Standard tuning, a half step down from standard, which affects string tension and the feel of every bend.
  • Vaughan's vibrato and behind-the-beat phrasing in the slow blues feel are the core technique challenges, more so than the individual scale patterns.
  • Using the Practice Toolbar to slow down the held, bent notes in Verse 3 is the most direct way to isolate and improve your vibrato control.

How to Play Texas Flood - Verse 3

Tuning: Eb Standard · Key: E minor · Tempo: 90 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 90 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.