Practice Studio

Stevie Ray Vaughan - Pride And Joy - Outro Section - Guitar Lesson

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Key E major
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Classic Rock

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Bass6
Mid7
Treble6
Presence5
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

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About Pride And Joy - Outro Section


The outro section of "Pride and Joy" is where Stevie Ray Vaughan lets the shuffle breathe and expand, making it one of the most rewarding passages in Blues Rock to really dig into. Playing it in Eb Standard means every string sits a half-step lower than concert pitch, which gives the tone a slightly thicker, looser feel that suits the swagger of the groove. At 120 BPM the shuffle is comfortable enough to feel relaxed, but that is exactly when sloppy string damping and weak pick attack become audible, so precision still matters. The outro leans on thumb-over bass note technique combined with chordal embellishments up the neck, and getting those two elements to lock together cleanly is the real challenge. Use the Practice Toolbar to loop the outro slowed down until the bass-note-and-chord coordination feels automatic before you bring the tempo back up. Focus on consistent pick attack and keeping the low strings controlled so the groove stays tight.

  • Eb Standard tuning drops the whole guitar a half-step, giving the rhythm a slightly heavier feel that suits Vaughan's heavy-gauge string approach.
  • The outro demands thumb-over fretting to hold bass notes while the fingers voice upper chord embellishments, a core Texas blues technique worth isolating.
  • At 120 BPM the shuffle feel is deceptively relaxed, making clean string damping and consistent pick attack the main things to practise in this section.

How to Play Pride And Joy - Outro Section

Tuning: Eb Standard · Key: E major · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.