Practice Studio

Eric Johnson - Steves Boogie - Second Half - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Ah Via Musicom album cover
Ah Via Musicom
1990 1:53

About Steves Boogie - Second Half


The second half of "Steve's Boogie" is a demanding fingerstyle and flatpicking workout that sits at the heart of what makes Eric Johnson such a precise and musical player. At 120 BPM in E Standard, the piece moves at a clip that exposes every hesitation in your picking hand, so clean articulation is the real challenge here, not just speed. The boogie framework sounds deceptively simple, but Johnson layers rapid single-note runs, chord stabs, and melodic fills in a way that requires the right and left hands to stay tightly synchronized. Pay close attention to where the accents fall within each phrase, because the rhythmic feel is what gives the piece its bounce and forward motion. Isolate the busiest run passages with the Practice Toolbar, looping them slowed down until the notes speak evenly before you bring the tempo back up. Tone clarity is a Johnson hallmark, so keep your fretting-hand pressure consistent and avoid any unwanted string noise throughout.

  • The piece sits in E Standard tuning at 120 BPM, meaning even moderate speed demands clean left-right hand synchronization throughout.
  • Johnson's signature pick attack and precise muting technique are essential for getting the staccato boogie feel to sit correctly.
  • Beginners should isolate individual runs and practice them as small loops before chaining the full second-half sequence together.

How to Play Steves Boogie - Second Half

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

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Solo (Backing Track)