Eric Johnson - Steves Boogie - Second Half - Guitar Lesson

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Eric Johnson - Steves Boogie - Second Half - Guitar Lesson

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Classic Rock

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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Ah Via Musicom album cover
Ah Via Musicom
1990 1:53

Steves Boogie - Second Half


"Steves Boogie - Second Half" is an instrumental piece by Texas guitarist Eric Johnson, showcasing his signature blend of blues, rock, and jazz influences. The track highlights Johnson's exceptional fingerpicking precision and his ability to execute rapid, clean single-note runs on electric guitar. It is a strong study piece for players looking to develop speed, articulation, and dynamic control in a boogie-style framework.

  • The piece is purely instrumental, making it an excellent vehicle for focusing entirely on guitar technique and tone.
  • Eric Johnson is widely admired for his meticulous attention to pick attack and tone, qualities clearly present in this boogie track.
  • Boogie-style guitar lines like this one are rooted in blues tradition and help players develop steady rhythmic feel alongside lead phrasing.
Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.