Practice Studio

Rage Against The Machine - Sleep Now In The Fire - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Battle Of Los Angeles album cover
The Battle Of Los Angeles
1999 3:26
Capo Advisor 0 E minor · Original key

About Sleep Now In The Fire


Few riffs from 1999 hit as hard or as simply as the one Tom Morello built for this track. It is a two-note, E minor-rooted groove that sits deep in the pocket, and the challenge is not reading it but locking it to the drum feel with the right amount of aggression without rushing. Morello's right-hand muting and percussive attack are doing as much work as the notes themselves, so focus on your picking-hand palm mute consistency before worrying about anything else. Rage Against The Machine wrote the whole song around that hypnotic repetition, which means any slight timing drift becomes immediately audible. The whammy-pedal and kill-switch textures Morello layers in are worth studying separately. Use the Practice Toolbar to loop those sections slowed down and hear exactly where each effect lands in the bar. Getting the main riff to feel locked and menacing, rather than just loud, is the real goal here.

  • The main riff is built on a sparse, heavily palm-muted E minor figure where right-hand technique and timing matter far more than fretting complexity.
  • Tom Morello uses a whammy pedal and kill-switch technique for the song's more textural moments, making those sections good isolated practice targets.
  • Because the riff repeats throughout, any inconsistency in your palm mute pressure or pick attack will be exposed quickly, so slow practice pays off.

How to Play Sleep Now In The Fire

The song moves through: Intro, Guitar Academy, Main Riff, Very end of the riff, Another Section, Verse Explanation, Whammy Pedal Setting, Pedal Settings Live, Actual Verse, Actual Verse Without Pedal, Solo what he is doing.

Key: E minor · Tempo: 124 BPM

The arrangement runs through 11 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 124 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Tom Morello uses this 1982 Telecaster for RATM's funkier, cleaner rhythm parts, leveraging its bridge humbucker for articulate muting and percussive attack that cuts through dense arrangements.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's punchy midrange and aggressive natural clipping deliver RATM's signature thick, cutting distortion tone while staying tight enough for Morello's dynamic muting and noise experiments.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Morello exploits this wah pedal extensively for funk riffs and half-cocked tonal shaping, creating RATM's signature expressive sweeps and rhythmic articulation that define their groove.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

Morello uses the DD-3 for rhythmic repeats and spatial effects, adding depth and texture to RATM's complex arrangements without muddying the aggressive distortion tone.

MXR Phase 90
Pedal

MXR Phase 90

This phaser adds occasional swirling modulation to Morello's pedalboard, creating subtle psychedelic textures that enhance RATM's experimental moments without overwhelming their heavy rhythm focus.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy pedal enables Morello's signature pitch-shifting, octave drops, and squealing harmonics that define RATM's innovative, experimental noise work and solo textures.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)