Practice Studio

Jimi Hendrix - Purple Haze Instrumental - Guitar Lesson

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Speed
100%

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BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Jimi Hendrix Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Purple Haze Instrumental


Few riffs in Hard Rock are as immediately recognisable as the tritone-based opening figure of "Purple Haze Instrumental." Jimi Hendrix built the whole song around a handful of shapes that look deceptively simple on paper yet demand serious right-hand control: thumb-over-the-neck fretting for the low E-side riffs, aggressive string bending in E minor, and a rhythmic feel that sits right on the edge of straight and swung. The track sits at 120 BPM, which is approachable, but nailing the syncopation and the ghost-note scratches at tempo takes real patience. Everything is played in Eb Standard tuning, so drop your whole guitar a half-step before you start or the bends and chord voicings will feel completely wrong under your fingers. The chord stabs and the solo both contain moments where the fingering gets cramped quickly, so use the Practice Toolbar to loop those sections slowed down until the muscle memory is solid before pushing back up to full speed.

  • The song is played in Eb Standard tuning, meaning every string is tuned down a half-step, which slightly reduces tension and shapes the overall tone.
  • At 120 BPM in E minor, the main riff centres on a tritone interval that requires precise left-hand muting to avoid unwanted string noise.
  • Hendrix frequently fretted bass-side notes with his thumb wrapped over the neck, a technique worth practising slowly before attempting at full tempo.

How to Play Purple Haze Instrumental

Tuning: Eb Standard · Key: E minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)