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Poison - Something To Believe In - Guitar Lesson

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Poison - Something To Believe In - Guitar Lesson

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Poison - Something To Believe In guitar lesson video
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Flesh & Blood album cover
Flesh & Blood
1990 5:28
Listen on Spotify
Poison Glam Metal 1990 C major
Capo Advisor 0 C major · Original key

Something To Believe In

"Something To Believe In" is a power ballad by Poison, released as the second single from their third studio album, Flesh & Blood (1990). The track reached number four on the US Billboard Hot 100 and hit number one in Canada, making it one of the band's most successful singles. For electric guitarists, it offers a great opportunity to explore the emotional, clean-to-crunch tonal shifts characteristic of late-80s and early-90s glam metal ballads.

  • The song peaked at number four on the US Billboard Hot 100, Poison's last top-10 hit on that chart.
  • It reached number one on Canada's The Record singles chart, outperforming its US chart position.
  • An alternate-lyrics version was released on the Best of Ballads & Blues compilation in 2003.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

C.C. DeVille used the Les Paul Standard in Poison's later years, leveraging its thick body and warm humbucker tones for a heavier, more classic rock foundation. The instrument provided a fatter sustain than his superstrats while maintaining the cutting presence needed to slice through the band's dense arrangements.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom appeared in DeVille's setup during Poison's evolution, offering premium hardware and premium pickups that reinforced his bridge humbucker-driven lead tone with enhanced articulation and sustain. Its weight and construction allowed him to achieve singing, sustained solos while keeping the glam metal edge intact.

Marshall JCM800
Amp

Marshall JCM800

DeVille's signature tone came directly from the JCM800's moderate-high gain voicing, which delivered that saturated yet articulate crunch essential to Poison's Sunset Strip sound. The amp's presence peak kept his leads cutting through the mix without needing excessive gain, letting the guitar's midrange shine through the drums.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

DeVille wielded the Cry Baby Wah as his primary expressive effect, adding vocal-like sweep and movement to lead passages and rhythm accents throughout Poison's glam metal anthems. The pedal's responsive taper complemented his flashy, over-the-top playing style and became a signature element of his soloing voice.

DigiTech Whammy
Pedal

DigiTech Whammy

While not a primary tool in DeVille's original chain, the DigiTech Whammy offered harmonic shifting effects that could enhance his signature whammy bar dive bombs and pitch-bend moments during solos. The pedal's tracking algorithms could layer synth-like tones beneath his squalling leads for added drama.

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