Practice Studio

Mountain - Mississippi Queen - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Mountain Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Mississippi Queen


Few riffs in Hard Rock hit as hard as the opening cowbell-and-guitar shot that kicks off "Mississippi Queen." Leslie West plays the main riff in E minor, and the magic is in how he makes it feel massive at a moderate 96 BPM. The riff itself is not technically complex, but getting the right attitude out of it is. West leans heavily on his picking attack and a thick, slightly overdriven tone to give every note real weight. The bends and vibrato throughout the song are where players usually struggle: they need to be wide, slow, and confident rather than neat and precise. Use the Practice Toolbar to loop those lead sections slowed down so you can really commit to each bend before speeding back up. In standard E tuning, everything sits in a comfortable range, but do not mistake comfortable for easy. Matching West's authority on this one takes real attention to touch and dynamics. Mountain made blues-rock feel like a force of nature, and this song is a direct line to that.

  • The main riff sits in E minor in standard tuning, making it accessible for intermediate players but demanding in terms of tone and attack.
  • Leslie West's signature wide vibrato and heavy string bends are central to the lead work, so isolate those phrases with looping slowed down.
  • At 96 BPM the groove is moderate, giving you room to focus on pick dynamics and letting each note breathe before pushing up to full speed.

How to Play Mississippi Queen

Tuning: E Standard · Key: E minor · Tempo: 96 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Leslie West deployed the Cry Baby wah sparingly on tracks like 'Nantucket Sleighride' to add vocal expressiveness to lead passages without cluttering his minimalist signal chain. The wah's resonant sweep complemented his Gibson SG and Marshall's natural saturation, letting West shape sustain dynamically while maintaining the organic tone that defined Mountain's heavy blues-rock attack.

Solo (Backing Track)

Solo (Backing Track)