Practice Studio

Eric Johnson - Manhattan Pt.6 - Bridge & 3rd B Section - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan Pt.6 - Bridge & 3rd B Section


The Bridge and third B Section of "Manhattan" demand the kind of clean, articulate single-note work that Eric Johnson is known for throughout this long-form piece. At 120 BPM in E Standard tuning, the tempo sits at a pace that feels comfortable until you add the precision Johnson's phrasing requires: every note needs to speak cleanly, with consistent pick attack and smooth position shifts across the neck. The Bridge in particular tends to introduce a harmonic shift that can catch you off-guard, so take time to understand where the chord movement is going before drilling the notes on top. The third B Section builds intensity and often asks you to carry melodic lines through stretch-heavy fingerings. Use the Practice Toolbar to loop each of those sections slowed down, working them as separate problems before connecting them. As a piece rooted in Progressive Rock, "Manhattan" rewards careful, patient sectional practice over any attempt to run it end to end too soon.

  • At 120 BPM in E Standard tuning, the tempo is approachable but demands consistent pick attack and clean fretting across wide position shifts.
  • The Bridge section introduces a harmonic movement that requires understanding the underlying chord changes before the single-note lines will sit correctly.
  • The third B Section features melodic lines with stretch-heavy fingerings, making it worth isolating and looping slowed down before joining it to the Bridge.

How to Play Manhattan Pt.6 - Bridge & 3rd B Section

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

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Play with Backing Track

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