Practice Studio

Eric Johnson - Manhattan Pt.4 - Main Solo - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan Pt.4 - Main Solo


Few guitarists demand the kind of clean articulation that Eric Johnson makes compulsory, and the main solo from "Manhattan Pt.4" is a clear example of that standard. At 120 BPM in E Standard tuning, the tempo sits at a mid-pace that sounds comfortable until you realise every note has to sing with near-perfect pick attack and left-hand clarity. Johnson's phrasing tends to combine fluid legato runs with precisely picked single-note lines, so you cannot lean entirely on either technique: you have to shift between them cleanly mid-phrase. The solo sits within Progressive Rock, which means melodic development matters as much as speed. Work through each phrase in small sections and use the Practice Toolbar to loop any run slowed down, confirming your fingering before bringing it back to full tempo. Pay close attention to your pick angle and follow-through, because at performance speed any sloppiness in attack will stand out immediately.

  • The solo is played in E Standard tuning, so no retuning is needed, but Johnson's tone requires careful pick attack and clean fretting throughout.
  • At 120 BPM the phrasing demands a fluid shift between legato passages and picked single-note lines, making consistent right-hand control the main technical challenge.
  • Looping individual phrases slowed down in the Practice Toolbar is especially useful here, as Johnson's note choices are dense and easy to misread at full speed.

How to Play Manhattan Pt.4 - Main Solo

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)