Practice Studio

Eric Johnson - Manhattan Pt.2 - First B Section - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan Pt.2 - First B Section


The first B section of "Manhattan Pt.2" sits right at the heart of what makes Eric Johnson such a demanding and rewarding guitarist to study. This piece calls for clean phrasing and precise melodic control at 120 BPM in standard tuning, a tempo that sounds comfortable until you try to match Johnson's note clarity across every phrase. The B section specifically tends to involve the kind of legato-inflected melodic lines that Johnson is known for, where every hammer-on and pull-off needs to ring out evenly or the passage falls apart. That even note weight is the real challenge here, not raw speed. Use the Practice Toolbar to loop the B section slowed down and listen carefully to where your weaker fingers drop in volume. Coming from the Progressive Rock world, this track rewards the patient approach: clean up one phrase at a time before chaining the section together at full tempo.

  • The B section features Johnson's signature legato phrasing, requiring consistent finger strength across all four fretting-hand fingers to maintain even note volume.
  • At 120 BPM in E Standard tuning, the tempo is moderate but leaves nowhere to hide any unevenness in picking or hammer-on technique.
  • Isolating short melodic phrases with the Practice Toolbar at reduced speed is the most effective way to build the clean articulation this section demands.

How to Play Manhattan Pt.2 - First B Section

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

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