Practice Studio

Eric Johnson - Manhattan - Outro - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan - Outro


The outro section of "Manhattan" puts a spotlight on the kind of melodic, singing lead playing that defines Eric Johnson's approach to Progressive Rock. At 120 BPM in E Standard tuning, the tempo is comfortable enough to focus on tone and phrasing rather than sheer speed, but that can be deceptive. Johnson's articulation demands clean hammer-ons, pull-offs, and precise pick attack, and any sloppiness in the fretting hand will show up clearly at this pace. The challenge here is not just hitting the right notes but shaping each phrase with the same lyrical quality he brings to the recorded version. Getting the dynamics right, knowing when to dig in and when to ease off, is where most players will need to spend their time. Use the Practice Toolbar to loop the outro slowed down so you can internalize the phrasing before bringing it back up to tempo. Think of it less as a speed exercise and more as a lesson in making a guitar line sound like it breathes.

  • The outro is played in E Standard tuning at 120 BPM, a moderate tempo that puts the emphasis squarely on clean articulation and expressive phrasing.
  • Johnson's lead style relies heavily on precise pick-hand dynamics combined with smooth legato runs, so both hands need equal attention when learning this section.
  • Looping the outro slowed down in the Practice Toolbar is the most effective way to copy the subtle note shaping before rebuilding to full speed.

How to Play Manhattan - Outro

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

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