Practice Studio

Eric Johnson - Manhattan - Bridge & 3rd B Section - Guitar Lesson

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100%

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan - Bridge & 3rd B Section


Few guitarists demand as much clean articulation from a player as Eric Johnson, and the Bridge and third B section of "Manhattan" makes that crystal clear. This section sits within the broader landscape of Progressive Rock, where melodic sophistication and technical precision are both expected. At 120 BPM in E Standard tuning, the tempo is moderate on paper, but Johnson's phrasing requires every note to speak cleanly, with consistent pick attack and smooth legato transitions that can expose any sloppiness in your technique. The bridge especially tends to shift harmonic direction in ways that catch players off guard, so knowing the chord movement inside out before worrying about speed is the right first step. Isolate the transition points between the bridge and the B section using the Practice Toolbar, looping them slowed down until the fingering changes feel automatic. Pay close attention to your right-hand dynamics here, as Johnson's tone comes as much from touch as from any amp setting.

  • At 120 BPM in E Standard tuning, the moderate tempo still demands precise pick attack and clean legato phrasing throughout the bridge section.
  • The harmonic movement between the bridge and third B section shifts direction quickly, making chord-to-chord transitions the main technical hurdle to practise.
  • Johnson's signature clean tone means any muted or uneven notes will be clearly audible, so consistent right-hand control is essential here.

How to Play Manhattan - Bridge & 3rd B Section

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)