Practice Studio

Eric Johnson - Manhattan - 2nd Solo - Guitar Lesson

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100%

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BPM
Key ~A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 A minor · Original key

About Manhattan - 2nd Solo


The second solo in "Manhattan" sits at 120 BPM in A minor, and it demands the kind of clean, articulate single-note phrasing that Eric Johnson is known for in the Progressive Rock world. E Standard tuning keeps things familiar, but the challenge is entirely in execution: Johnson's pick attack is extremely controlled, and any sloppiness in fretting or picking hand synchronization will stand out immediately against the song's polished backdrop. Pay close attention to how the solo breathes, since Johnson tends to mix flurries of fast notes with more spacious melodic lines, and nailing that contrast is what makes the part feel musical rather than mechanical. The fast runs in particular are worth isolating in the Practice Toolbar, slowing them down until every note is even before bringing the tempo back up. Focus on the cleanliness of each note, especially on string changes, where muting unwanted strings is one of the trickier aspects of playing in Johnson's style.

  • Johnson's picking technique requires very deliberate muting of adjacent strings, making this solo a strong exercise in right-hand string control.
  • At 120 BPM in A minor, the solo blends fast scalar runs with lyrical phrasing, so practice both feels separately before combining them.
  • Use the Practice Toolbar to loop the busiest passages slowed down, ensuring each note speaks cleanly before pushing back toward full tempo.

How to Play Manhattan - 2nd Solo

Tuning: E Standard · Key: A minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)