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Kansas - Dust In The Wind - Solo - Guitar Lesson

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Kansas - Dust In The Wind - Solo - Guitar Lesson

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Kansas - Dust In The Wind - Solo guitar lesson video
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Two For The Show (30th Anniversary Edition) album cover
Two For The Show (30th Anniversary Edition)
1978 6:18
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Kansas Folk Rock 1978 C major
Capo Advisor 0 C major · Original key

Dust In The Wind - Solo

"Dust In The Wind - Solo" is a section from Kansas's iconic 1977 track "Dust in the Wind," written by guitarist Kerry Livgren and featured on the album Point of Know Return. Though the full song is built around fingerpicked acoustic guitar, its melodic solo lines translate beautifully to electric guitar, offering players a chance to explore expressive, lyrical phrasing. It is an excellent piece for developing clean tone, subtle vibrato, and melodic sensibility on electric guitar.

  • Kerry Livgren wrote 'Dust in the Wind' after learning a fingerpicking pattern, making its melodic lines naturally guitar-centric.
  • The solo section focuses on melodic phrasing rather than speed, making it ideal for players working on expressive lead technique.
  • Kansas is classified as progressive rock, but 'Dust in the Wind' showcases a softer, folk-influenced side of the band's writing.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Kerry Livgren's primary weapon for Kansas's classic era, the Les Paul Standard delivered thick humbucker warmth and sustain essential for both the crushing riffs of 'Carry On Wayward Son' and intricate lead passages. Its moderate-output PAF pickups maintained clarity and dynamics even when pushed through cranked Marshalls, letting every picked note cut through live.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Rich Williams relied on the Les Paul Custom's dual-humbucker platform to anchor Kansas's dual-guitar attack with warm, articulate tone that complemented Livgren's lead work. The Custom's versatility and noise-rejecting humbuckers made it ideal for both driving rhythm parts and soaring melodic solos in the band's complex arrangements.

MXR Phase 90
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MXR Phase 90

Livgren deployed the MXR Phase 90 sparingly for textural color on rhythm guitar passages, adding subtle swirling movement to Kansas's layered arrangements without cluttering the core Marshall-driven tone. This minimal-effects philosophy kept the focus on the guitarist's technique and the natural breakup of tube amplification.

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